VVAST Gallery

Penned by Cynthia Bamberschnackle

I don't know what I was expecting, but this was worse than any dismal expectations I might have mustered had it even been worth a thought.

"VVAST-ly Overblown"

From the second we entered we slipped on a puddle of something I would prefer not to mention before the barrage of tasteless Happy Hive product placement plastered on every available surface. Apparently the arts are underfunded even aboard Vega. Of course, we indulged in a Molk or three despite our initial resistance - when Rome is falling, may as well kick over a few columns!

Frankly the structure feels VVAST-ly overblown, the building itself seems to have been pulled together from collected salvage and, to its credit, is a building, with walls and a ceiling -

-though in some of those dim halls one might wonder. The architecture appears to have been conceived largely on the principle that if a surface was available, something should be attached to it. Whether any of these objects serve a practical purpose is difficult to say. Perhaps they are artworks. Perhaps they are ventilation systems. Perhaps, like the rest of us, they have simply lost the will to leave.

Much the same could be said for the staff, who drift aimlessly about the space, apparently doing little amid the looming deadline for completion. Indeed one might question their credentials.

Furthermore, the pamphlet section, which as we know forms the true bedrock of any great institution, was sorely lacking, surely a waypoint for the direction this gallery is heading.

Rating: ★☆☆☆☆

(1 out of 5 stars)

Dumb People

Josiah Smedley

“Dumb People” is a raw and unflinching exploration of the impact of labels and societal judgments. Josiah Smedley’s one-person play delves into the complexities of intelligence, self-worth, and the power of perception. Smedley, who received no qualifications, was always called dumb by those around his and now this is their story into unravelling to what that really means.

"Desire to break free."

In a stark and minimalist setting, our protagonist grapples with the weight of being labelled as “dumb” by those around them. Through monologues that cut to the core, Smedley portrays the internal struggle—the frustration, the longing for validation, and the desire to break free from the confines of others’ opinions.

"Poignant and intense."

What defines intelligence? Is it academic achievement, emotional intelligence, or something more elusive? Smedley challenges preconceived notions and invites the audience to question their own judgments through a playful use of audience interaction which shows a real care for us. They don’t “dumb” us down but meet us with compassion, empathy and understanding. Smedley is great and wants nohing more from us than our ears and our time.

Smedley’s delivery is both poignant and intense. Their ability to convey emotion through subtle gestures, expressions and movements make for moments that brought many to tears. The absence of elaborate props or distractions allows the focus to remain on the powerful storytelling.

Verdict: “Dumb People” challenges us to look beyond surface judgments and recognise the multifaceted nature of human intelligence. It’s a thought-provoking piece that lingers in the mind long after the curtain falls.

Rating: ★★★★☆

(4 out of 5 stars)

Two Little Ducks

Elsa Vandergaad

Two Little Ducks” is a delectable one-woman show that takes audiences on an enchanting journey. Centred around a little girl’s first encounter with rubber ducks, the play explores themes of loss, creativity, and the interplay between truth and artificial intelligence.

In an insightful blend of storytelling and performance art, our protagonist embarks on a quest to understand the significance of two seemingly ordinary rubber ducks.

She discovers that these bath-time companions hold more than just water—they harbour memories, emotions, and unexpected connections.

"The stage comes alive."

The ducks become a symbol of what has been lost — a childhood innocence, a loved one, or perhaps even a sense of wonder. Through poignant monologues, the lead (Elsa Vandergaad) grapples with grief and acceptance.The stage comes alive with inventive props but a minimalist set—just a bathtub and two ducks— thus allowing the story to breathe. Elsa’s journey mirrors the creative process itself — messy, unpredictable, and ultimately rewarding.

Where the show lacks is in its exploration into AI, with links which were tenuous at best and missed the thought which shone throughout the other elements of the show.

Verdict: “Two Little Ducks” is a heartfelt ode to curiosity, resilience, and the magic hidden in everyday objects. Whether you’re a theatre aficionado or a casual viewer, this show will leave you pondering the mysteries that float beneath the surface.

Rating: ★★★★☆

(4 out of 5 stars)